Elizabeth Blair

Elizabeth Blair is a Senior Producer on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

Red means stop; green means go. You live in a red or a blue state. You feel green with envy, or you're tickled pink. Colors alert, provoke, attract, divide and unite us.

Thinkers from Plato to Einstein to a new cottage industry of color psychologists have studied the importance of color in our daily lives. But, as Joann and Arielle Eckstut write in their book The Secret Language of Color: "Anyone who claims to be an expert on color is a liar."

Sometimes museums get in trouble. Deep trouble. Not because they damage art, or let it get stolen ... but because they sell it. The Delaware Art Museum is the latest target of the art world's ire — for selling one painting from its collection to try and tackle a debt, and for revelations in the past few days that two more paintings are up for sale.

Like it or not, television has the power to shape our perceptions of the world. So what do sitcoms, dramas and reality TV say about poor people?

In life and on TV, "poor" is relative. Take breakfast: For Honey Boo Boo's family, it's microwaved sausage and pancake sandwiches; for children in The Wire's Baltimore ghetto, it's a juice box and a bag of chips before school; and on Good Times, set in the Chicago projects back in the 1970s, it was a healthier choice: oatmeal.

"Chug, chug, chug. Puff, puff, puff. Ding-dong, ding-dong."

The beloved tale of the little blue engine — who helps bring a broken-down train of toys to the good little boys and girls on the other side of the mountain — has been chugging along for a very long time. But despite the locomotive's optimistic refrain — I think I can, I think I can, I think I can — the story has a somewhat checkered past: In its tracks, The Little Engine has left both a legal battle and a debate over whether the little blue engine is male or female.

It would have been the biggest deal the pharmaceutical industry has seen in more than a decade. But for now, it's off the table.

Pfizer has withdrawn its offer to buy British drug company AstraZeneca for about $119 billion.

American pharmaceutical giant Pfizer, which makes Lipitor and Viagra, has been circling its smaller rival AstraZeneca for months.

AstraZeneca, which makes Nexium and Crestor, has rejected every offer saying Pfizer undervalues the company, and that it wants to remain independent.

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This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block. Now we're going to remember the man who was known as the father of G.I. Joe. Donald Levine was a toy industry executive in the early 1960s, when the iconic action figure stormed playrooms across the country. Levine died of cancer late last week. He was 86. NPR's Elizabeth Blair does this appreciation.

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The coveted spot held by David Letterman for 21 years will go to Stephen Colbert. CBS made the announcement today. As NPR's Elizabeth Blair reports, diehard fans of the Emmy Award-winning "Colbert Report" are mourning this news and others are excited to see what the real Colbert has in store.

ELIZABETH BLAIR, BYLINE: First, Stephen Colbert has said he will not be doing "The Late Show" in character, meaning the over-the-top, right-wing narcissistic character he created for Comedy Central.

The CBS legal drama The Good Wife centers on smart, attractive Chicago lawyer Alicia Florrick. She's "the good wife" because she stood by her politician husband when he cheated on her.

But the show's most compelling story line has always been between Alicia and another lawyer, Will Gardner. And if you don't want to know what happened in that storyline last night, stop reading NOW.

No, Really: Major Spoiler Ahead

The new head of the Smithsonian Institution was announced Monday. David Skorton will leave his job as president of Cornell University to become the institution's 13th secretary since its founding in 1846.

Skorton becomes the first physician to lead the Smithsonian. He's a board-certified cardiologist and amateur jazz musician. Most importantly for the Smithsonian, he's a skilled fundraiser. Skorton led a team that raised $5 billion during his eight years at Cornell.

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The Lego Movie opened last night in theaters across the country. It's latest example of the magic of animation, filmmakers who bring plastic to life, make animals talk and send toys singing and dancing across a big screen. But animators also love to hurl our most beloved characters over cliffs. They blow them up with dynamite, flatten them with speeding trains. Seconds later, they pop back up and dust themselves off.

Actor Philip Seymour Hoffman was found dead on Sunday in his Manhattan apartment. He was 46.

Hoffman was steeped in his profession — in film, on stage, in the spotlight and behind the scenes.

In 2005, he won the Oscar for best actor for his portrayal of Truman Capote. The movie focuses on Capote's interviews with two murderers on death row for his nonfiction novel In Cold Blood.

Super Bowl suspense is building — for the game and the commercials. With an audience of over 100 million people, advertisers covet this space, but at a reported $4 million a spot, only the mightiest corporations can afford Super Bowl exposure. This year, though, there's an exception. One lucky little business will get one of those primo slots — free.

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A federal bankruptcy judge in Detroit has mediated a deal that could potentially solve two of the city's biggest problems. The plan would raise money for retirees' pension funds and keep masterpieces from the Detroit Institute of Art from being auctioned off. NPR's Elizabeth Blair reports.

Can wealthy art lovers help save Detroit's pension funds — and one of its museums?

When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.

Federal bureaucracies aren't the only ones scaling back operations during the government shutdown. It's also meant that kids couldn't take field trips to the Smithsonian.

In fact most of the popular Washington attractions funded by the government are closed. That includes the Smithsonian's 19 museums and the National Zoo, plus Ford's Theatre and the National Gallery of Art.

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I don't know about you, but I'm a little troubled when I hear about people who watch multiple screens. You know what I'm talking about. Maybe you're watching a movie at home while live tweeting, or while keeping track at a ballgame. At least movie theaters are a sacred space, immune to these changes.

One of the surprise movie hits this past weekend was almost entirely in Spanish. Instructions Not Included made an enormous amount of money per screen, more than $22,000, playing in fewer than 350 theaters. The boys in One Direction had the number one film, but they pulled in less than $6000 per screen. That's a huge victory for star Eugenio Derbez, a household name in Mexico, and for Pantelion films, which has been trying to find a Spanish-language hit in the U.S. film market for a few years now.

Hari Kondabolu is a brainy comedian who cuts through the polite talk around race and gender. He's made a lot of key people laugh with his incisive anecdotes, including Jimmy Kimmel, Conan O'Brien and John Oliver.

A full-time writer on the FX show Totally Biased with W. Kamau Bell, he recently did a comedy bit on the National Spelling Bee, or "as I like to call it," he joked, "the Indian Super Bowl."

Anyone who worked closely with Pete Seeger knew the legendary folk singer's wife. For seven decades, Toshi Seeger organized his festivals and handled his travel and correspondence. The social activist died Tuesday. She was 91.

When it comes to diversity, children's books are sorely lacking; instead of presenting a representative range of faces, they're overwhelmingly white. How bad is the disconnect?

Call it the Smithsonian's bubble problem. One of the Smithsonian museums — the Hirshhorn museum for contemporary art — came up with an ambitious new design to add more space: Why not build a giant, inflatable structure that would be big enough for people to walk around in?

But some of the Smithsonian's trustees in Washington, D.C., haven't been blown away by the bubble.

It's Cinderella plus Jackie Robinson times two. When Venus and Serena Williams burst onto the lily-white world of tennis, they changed the game and made history: They were sisters. From a poor neighborhood. Who brought unprecedented power to the game. And both reached No. 1.

Their journey is the subject of a new documentary called Venus and Serena, showing in select theaters around the country.

This is the third in a three-part series about the intersection of education and the arts.

Life Pieces to Masterpieces is an arts program that's not entirely about the art. It's an after-school program based in a struggling neighborhood in Washington, D.C., that teaches black boys and young men what they call "the four C's": "Connect, create, contribute, celebrate." From ages 3-25, they learn to express themselves by conceiving their paintings together. And those paintings will often reflect what's going on in their lives.

This is the second in a three-part series about the intersection of education and the arts.

Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"

It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.

How we end up in life has a lot to do with where we came from. That theory gets a good workout in the play Good People, from Pulitzer Prize-winner David Lindsay-Abaire. When the show was on Broadway two years ago, the trade magazine Variety proclaimed that "If Good People isn't a hit, there is no justice in the land."

As it turns out, justice has been served: Good People is the most produced play in America this theatrical season. By the end of this summer, it will have been on stage in 17 different cities.

It's a story right out of the movies: The artistic director of one of the most prestigious ballet companies in the world is violently attacked. His attacker and the motive are shrouded in mystery. But behind these sensational headlines is a ballet company that is both legendary and plagued with scandals and infighting.

If you want to make a movie, you generally need a lot of money. And filmmakers have to be creative about raising it.

Just ask the filmmakers at the Sundance Film Festival, taking place this week in Park City, Utah. Some 10 percent of the films selected for this year's iteration of the prestigious festival raised money through the crowd-funding website Kickstarter.

In the three years since the website launched, Kickstarter-funded films have been nominated for Oscars, picked up by Showtime and HBO, and honored with awards at Sundance, South By Southwest and Cannes.

For many, the stakes and the scale of World War II are hard to fathom. It was a war fought around the world, against powerful, determined regimes in Europe and the Pacific; some 65 million people died. And as the number of people who have actual memories of the war dwindle — as of next year, there will be fewer than 1 million living veterans — the mission of the National World War II Museum in New Orleans becomes all the more urgent.

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