Fresh Air on Wyoming Public Radio

Monday - Thursday 3:00PM-4:00PM
  • Hosted by Terry Gross

Fresh Air

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions. Every weekday she delights intelligent and curious listeners with revelations on contemporary societal concerns. Fresh Air Weekend collects the best cultural segments from the week's programs and crafts them together for great weekend listening. Stations have the flexibility to carry weekday and weekend programs together or separately.

California parolee Charles Manson arrived in San Francisco in 1967, when the city was full of young waifs looking for a guru. In Manson, Jeff Guinn argues that if the cult leader had instead been paroled in a place like Nebraska, he likely would not have been so successful.


Originally aired Sept. 18, 2013.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVID BIANCULLI, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

Thanks to Netflix, many of us are familiar with the concept of new TV series that premiere not on broadcast or cable television, but on a streaming entertainment service. And Netflix isn't the only streaming service getting into the act. Starting Friday, Amazon Prime subscribers have access to the entire first season of a new series called Transparent, starring Jeffrey Tambor.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVID BIANCULLI, HOST:

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVID BIANCULLI, HOST:

A new memoir by New York Times columnist Charles Blow begins with him in his car on his way to shoot and kill a man. That man is Blow's older cousin, who allegedly sexually abused Blow when Blow was 7 years old.

Blow, who was 20 when he set out for vengeance, turned back and never pulled the trigger. He finally realized he couldn't continue to live his life "through the eyes of a 7-year-old boy," he writes.

In 1966, Jimmy James, a guitarist working as a sideman in R&B bands, is discovered by Linda Keith, a 20-year-old music insider. She helps him move to London, where he developed his own sound. During that year, he transformed himself into an electrifying performer known as Jimi Hendrix.

Hendrix formed his band The Jimi Hendrix Experience, recorded his first album Are You Experienced, and soon became a star.

Sarah Waters' new novel, The Paying Guests, is a knockout, which isn't a word any of her characters would use.

The book opens in 1922: The Edwardian Age, with its high collars and long skirts, is dead; the Jazz Age is waiting to be born — at least, that's the case in the suburban backwater of London where Waters' main character, a 26-year-old spinster named Frances Wray, lives with her mother.

When Zak Ebrahim was 7 years old, his father, El Sayyid Nosair, assassinated Meir Kahane, the militant ultra-Orthodox, anti-Arab rabbi who founded the Jewish Defense League. That was in 1990.

Then, from prison, Nosair helped plot the 1993 World Trade Center bombing — and was later convicted as one of the conspirators.

Ebrahim was shocked to learn what his father was capable of. So was Ebrahim's mother. Ebrahim writes his story in his new memoir, The Terrorist's Son.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Pere Ubu's new album, Carnival of Souls, is a reference to the 1962 cult horror film. But as Fresh Air rock critic Ken Tucker hears it, the band, led since the late '70s by co-founder David Thomas, has created something far more rich, experimental, and emotional than spooky, horror-movie music.

When The Mountain Goats' founder John Darnielle was a teenager, he went through a self-destructive phase.

"Your intelligence doesn't override your desire to destroy yourself," Darnielle tells Fresh Air's Terry Gross. "I really, really did not want to be in my own skin. I really wanted to get high and stay high."

When President Jimmy Carter decided to bring Egyptian President Anwar Sadat and Israeli Prime Minister Menachem Begin to Camp David in 1978 to broker peace talks, his hope that the two men would like each other was "completely naïve and mistaken," says journalist Lawrence Wright.

The first couple of days turned into a screaming match.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Can you re-invent lively pop from the distant past? Fresh Air music critic Milo Miles says the songwriting team Tennis does just that with their new third album, Ritual in Repeat.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

When HBO executives handed The Sopranos executive producer Terence Winter a copy of Boardwalk Empire by Nelson Johnson, he says they asked him if he could find a TV series in it. The book was about the history of corruption in Atlantic City through the 20th century.

"And [they] said ... 'Oh, by the way, Martin Scorsese is attached to this,' " Winter tells Fresh Air's Terry Gross. "So, without even reading the book, I said, 'Yes, there's a TV series in this, and I'm going to find it.' "

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Franklin Delano Roosevelt delivered his most resonant and famous line during his presidential inauguration speech of 1933: "So, first of all, let me assert my firm belief, that the only thing we have to fear is fear itself." It was resonant because he was being defiant, and optimistic, in the face of the Great Depression — and it was famous because it was broadcast live, to the entire nation, on the relatively new medium of radio.

Frankie Valli used to be the only name people recognized from The Four Seasons. But the Broadway musical and film Jersey Boys changed that: Now, more people know about Bob Gaudio.

When book critic Maureen Corrigan first read F. Scott Fitzgerald's The Great Gatsby in high school, she was unimpressed.

"Not a lot happens in Gatsby," Corrigan tells Fresh Air's Terry Gross. "It's not a plot-driven novel and I also thought, 'Eh, it's another novel about rich people.' And I grew up in a blue-collar community."

She also couldn't relate, she says, because it doesn't feature any likeable female characters.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

Since the '60s, when Joan Rivers broke into the standup comedy scene aggressively and impressively, her act evolved into an intentionally brash showcase of "Can we talk?" confessionals. In her later years, she became much looser with her sharp tongue — sometimes even brutal and caustic.

Rivers died Thursday in New York. She was 81.

It was her age, she said, that opened her up to say whatever she wanted — without fear.

Here's where I stand on so-called reality TV. All those shows that are built around people misbehaving to get attention and claw for fame — in other words, all those Real Housewives shows, and every Big Brother and any show like it — I have absolutely no use for.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

I admired Ben Lerner's last novel a lot; in fact, I ended my review of Leaving the Atocha Station by saying that "reading it was unlike any other novel-reading experience I've had for a long time." I could say the very same thing about Lerner's brilliant new novel, 10:04, which leads me to wonder: Just how many singular reading experiences can one novelist serve up? And if every one of Lerner's novels is singular, doesn't that make them, in a way, repetitive?

Pages